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Benoît PEETERS, écrivain et scénariste, Paris
From Little Nemo to the Autrique House. Comic strips and Art Nouveau, back and forth
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Werner ADRIAENSSENS, Conservateur de la section des Arts
Vienna-Brussels: myth or reality. The Belgian Decorative Arts before the First World War
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Philippe THIÉBAUT, Conservateur général du patrimoine, Chef du service de la conservation du Musée d'Orsay, Paris
Neo Art Nouveau and advertising graphics in the 1960s
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Rossend CASANOVA, Conservateur du Disseny Hub Barcelona, Barcelone
Barcelona and the 2002 Gaudí International Year : a model for cultural management
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Véronique BRUMM, Responsable des collections, Musée Lalique, Wingen-sur-Moder
Stakes of the Lalique Museum. From the project to the opening - more than fifteen years of preparation
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Jean-Daniel JEANNERET, Architecte du patrimoine, Gestionnaire du site "La Chaux-de-Fonds / Le Locle, urbanisme horloger" inscrit sur la liste du patrimoine mondial de l'UNESCO
Art nouveau, a tool for heritage discovery
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Werner ADRIAENSSENS, Conservateur de la section des Arts décoratifs du XXe siècle, Musées Royaux d'Art et d'Histoire, Bruxelles
The Modern Art register of the Royal Musems of Art and History. An acquisition policy (1893-2010)
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Metta TIEMON, Vorsitzende, Jugendstilverein Bad Nauheim
Reawakening Art Nouveau heritage through private initiative in Bad Nauheim
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Breda MIHELIČ, Doc. dr., Assistant Professor History of Art, Urban Planning Institute of the Republic of Slovenia, Ljubljana
The Rihard Jakopič pavilion: first art gallery and reception of modern art in the provincial milieu of Ljubljana in the early twentieth century
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Ritva WÄRE, Ph. D. Docent, University of Helsinki
Changing interpretations of Art Nouveau architecture in Finland in the first years of the 20th century
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Blandine OTTER, Assistante de conservation et documentaliste, Musée de l'Ecole de Nancy
The perception of the Ecole de Nancy bookbindings at the 1893 National Society of Fine Arts Fair
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Christina USLULAR-THIELE, Art Historian, Hochschule Darmstadt
The "Darmstadt Style" - artistic provocation and signpost
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Claudia CASTILLO, Architecte, Taller de Urbanismo de La Oficina del Historiador de la Ciudad
La Habana, Typography and commercial advertising in Modernist Havana (1898-1925)
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Roselyne BOUVIER, Professeur d'histoire de l'art, Ecole des Beaux-Arts d'Epinal
The Furniture Industry Fairs in Paris between 1902 and 1911
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Hélène GUÉNÉ, Professeur d'histoire de l'art contemporain à l'Université Lumière, Lyon 2
Renewal of the decorative repertoire: grammar and syntax
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Françoise AUBRY, Conservatrice du Musée Horta, Saint-Gilles, Bruxelles
Fortunes and misfortunes of the work of Horta
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Peter TROWLES, Mackintosh Curator, Archives and Collections Centre, The Glasgow School of Art, Glasgow and President of the Réseau Art Nouveau Network
The Mackintosh Phenomenon - The rise of Charles Rennie Mackintosh as cultural icon, cultural superstar!
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Paul GREENHALGH, Director of the Sainsbury Centre for the Visual Arts, at the University of East Anglia
Life and afterlife: observations on the decline and resurrection of Art Nouveau
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